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Chrystina HÄUBER (2017): Augustus and the Campus Martius in Rome: the Emperor's Rôle as Pharaoh of Egypt and Julius Caesar's Calendar Reform; the Montecitorio Obelisk, the Meridian Line, the Ara Pacis, and the Mausoleum Augusti in Honour of Eugenio La Rocca on the Occasion of His 70th Birthday. With Contributions by Nicola Barbagli, Frederick E. Brenk, Amanda Claridge, Filippo Coarelli, Luca Sasso D'Elia, Vincent Jolivet, Franz Xaver Schütz, and Raimund Wünsche and Comments by Rafed El-Sayed, Angelo Geißen, John Pollini, Rose Mary Sheldon, R.R.R. Smith, Walter Trillmich, Miguel John Versluys, and T.P. Wiseman. FORTVNA PAPERS, Edited by Franz Xaver Schütz and Chrystina Häuber, Volume II, 2017, ISBN: 978-3-943872-13-2

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This book is about Augustus and some buildings in the Campus Martius in Rome erected at his time: the Montecitorio Obelisk (cf. Fig. 1.1), its Meridian line, the Ara Pacis (cf. Fig. 1.4), and the Mausoleum of Augustus (cf. Fig. 1.9). When I thought for the first time that this text was almost finished, I was invited to attend the Iseum Campense Conference May 2016, held in Rome. Thanks to the interesting talks and the discussions with many scholars there, as well as subsequent email-correspondence, some problems could finally be solved that I had encountered while conducting my research.

The area in question has recently been studied in great detail in multi-authored publications organized by Lothar Haselberger (2014a) and Bernard Frischer (Bernard Frischer et al. 2017). Whereas Haselberger's study is dedicated to one of these buildings which he refers to as `Horologium Augusti´, Frischer's article is called `New Light on the Relationship between the Montecitorio Obelisk and Ara Pacis of Augustus´. Specialists know that the terms `Horologium´ and `Meridian-and-Obelisk´ refer to exactly the same ensemble of monuments. Personally I side with those who identify the Montecitorio Obelisk and its Meridian line not as part of a full sundial, as Edmund Buchner had done and - among those who have recently published about the subject - certainly Henner von Hesberg, Jon Albers, Lothar Haselberger, Günter Leonhardt and perhaps also Robert Hannah still do, but as something that was built as a Meridian device in the first place.

After this preface was written, appeared the article by Bernard Frischer et al. (2017), in which Frischer himself (cf. 2017, 21), as a consequence of his new excavation at Buchner's `Horologium Augusti´, has modified his earlier views, convincingly stating that: "At present, all we may safely say is that new fieldwork is required to resolve the debate about this matter".

Like E. Buchner, who was first to suggest a complex relationship among the Montecitorio Obelisk/ Meridian, the Ara Pacis and the Mausoleum Augusti, some scholars currently interested in this kind of inquiry try to visualize the shadows cast by the Montecitorio Obelisk towards the Ara Pacis. Caused by an illness at the end of his life, Buchner was unfortunately unable to finish his work on the final publication of his entire research, comprising his excavations. It took me a long time to understand, why his work has caused an ongoing controversy, only to find out in the end that in reality the answer is very simple.

Buchner had already published two articles about his ideas concerning the subject (1976 and 1980) - that is to say, in part, before he could conduct excavations in the area since 1979 - that were reprinted unchanged in his monograph of 1982: Die Sonnenuhr des Augustus (`The sundial of Augustus´). This book was complemented with a "Nachtrag" (`Supplement´) and some photographs documenting another excavation he had conducted in the area in the meantime (1980-1981).

In retrospect, the first recognizable problem, as such, is the fact that Buchner believed at that stage, as also explicitly stated in the "Vorbemerkung" (`Preface´) of his book of 1982, that he did not have to take anything back from those assumptions he had voiced in his earlier articles.

The most important correction he should have made in his book of 1982, or later, concerned the original location of the Montecitorio Obelisk, for which Buchner had made an erroneous suggestion in 1976 that he maintained in 1982, and ever since. All the positive "Überraschungen" (`surprises´) concerning the alleged complex mathematical/ astronomical relationship between the `Solarium´ and the Ara Pacis on the one hand, and the alleged complex mathematical/ astronomical relationship between the `Solarium´ and the Mausoleum Augusti on the other hand, that he had experienced while working on the first reconstruction of his `sundial´ were regarded by many scholars at the time as fascinating. In reality the complexities arose from his failure to correctly locate the Obelisk, his manipulation of data and the far reaching hypotheses he had built on top of all of this: nothing of this stands up to close scrutiny (cf. Michael Schütz 1990-2014b).


In the summer of 1980, Buchner had, unwittingly, excavated a section of the Meridian line pertaining to the Obelisk, a spectacular find, as also his fiercest critics admit, that was in addition to this perfectly well preserved. This line, which is oriented north-south, appeared in a place where he did not expect the Meridian line to be. He identified it as a mere "Monatsabschnitt" (section of a month´) of the calendar that, in his (erroneous) opinion, had been part of his `sundial´ (Buchner 1982, 70, Fig. 5 = id. 1980, 366, Fig. 5; id. 1996a, Fig. 23). The reason for this grave error was Buchner's wrong location of the Obelisk, which, as Buchner knew, must have stood on the same north-south axis as the Meridian line of his `sundial´ itself. And since it did not occur to him to question his preconceived location of the Obelisk, Buchner consequently saw no reason to publish a changed reconstruction of his `sundial´. This section of the Meridian line appeared 1.6 m above the assumed Augustan level. Therefore, Buchner believed, in addition to this, that he had found a Domitianic restoration of Augustus' `sundial´, an assumption which was not based on any ancient literary evidence. Contrary to Buchner's own judgment, scholars currently believe that he had found a section of Augustus' Meridian line, which is the one that Pliny the Elder saw and described (NH 36.72f.). In the meantime, B. Frischer was able to prove this hypothesis (cf. chapter VIII. EPILOGUE; New fieldwork in the area of E. Buchner's `Horologium Augusti´).

Had Buchner acknowledged that he had found part of the Meridian line of his supposed sundial (be that Augustan or Domitianic), this would have forced him to abandon his entire complex hypothesis and to start anew from scratch, this time based on more hard facts. Had he done that, the scholarly community would certainly have praised him for his noble-minded spirit. It would, in any case, have saved subsequent scholars much work, had Buchner commissioned for his book of 1982 or his later publications a measured map of the entire area, with integration of the section of the Meridian line (his "Monatsabschnitt"), that he had been so fortunate to excavate, at its precise location.

Especially famous has become Buchner's subsequent, hotly debated assertion (1982, 37; cf. p. 23 = id. 1976, 347; cf. p. 335): "Welch eine Symbolik! Am Geburtstag des Kaisers ... [am 23. September] wandert der Schatten [den die Kugel auf dem Obelisken wirft; von Westen nach Osten] von Morgen bis Abend etwa 150 m weit die schnurgerade Äquinoktienlinie entlang genau zur Mitte der Ara Pacis; es führt so eine direkte Linie von der Geburt dieses Mannes zu Pax, und es wird sichtbar demonstriert, daß er natus ad pacem ist" (`on Augustus' birthday [23rd September], the shadow [of the globe atop the Obelisk] travelled [from west to east] from morning to evening for about 150 m along the straight equinoctial line towards the centre of the Ara Pacis, thus indicating that Augustus was born to bring peace to the world´).

The second problem is the fact that Buchner repeated in all his later publications most of his own old assumptions without discussing in detail the arguments of his critics. In particular, the findings of Michael Schütz, who, after Buchner had successfully prevented this for many years (so M. Schütz 1990, 432, n. 1; cf. H. Lohmann 2002, 52 with n. 34), had finally been able to publish in 1990 his devastating, but justified critique of Buchner's complete set of interrelated ideas. Other critics followed after M. Schütz.

With one exception, as observed by Stefan Peiffer (2015, 2289, who mentions the "Stellungnahme zu [M.] Schütz [1990]" in Buchner's article of 1993-1994 (on p. 81 with n. 21). But because Buchner himself rarely mentioned this article in any of his later publications, the fact that this is Buchner's published discussion of Schütz's critique has so far not been noticed by any other scholar. As a matter of fact, Buchner (1993-1994) discussed only M. Schütz's argument that relates to Buchner's reconstruction of the original height of the Montecitorio Obelisk: Buchner (op.cit.) rejected M. Schütz's relevant argument. Buchner (1996a, 36 and id. 1996b, 163 with n. 8) has repeated this rejection.

The following text was started as a short email written to Bernard Frischer, but when gradually extending it, one of my aims became to define the state of the art of the debate, to which the publications mentioned here contribute. In addition, I had intended to find out some other things. I was for example curious to understand, how exactly Octavian/ Augustus had adjusted Julius Caesar's calendar reform which at first had been erroneously applied. Caesar, when in Alexandria in 48 BC, had commissioned Sosigenes of Alexandria


to reform the Roman calendar. Sosigenes based what was to become the Julian calendar on that calendar which had been made for Ptolemy III Euergetes back in 238 BC (cf. Günther Hölbl 1994, 101; Stefan Pfeiffer 2004; see infra, n. 76). During his stay at Alexandria in 30 BC, Octavian/ Augustus had possibly already experimented with an obelisk/ meridian device on the Forum Iulium, which he had commissioned there (cf. Geza Alföldy 2014), before he ordered two obelisks to be brought from Egypt to Rome: the obelisk he erected on the spina in the Circus Maximus (that is now on the Piazza del Popolo; cf. Fig. 1.2) and the Montecitorio Obelisk; cf. Fig. 1.1. Thanks to the observation of the shadows that were cast by the latter on its pertaining Meridian line, Augustus was finally able to bring Caesar's calendar project to a successful end.

Because Octavian/ Augustus became, in addition to all that, the Pharaoh of Egypt, I had to address a great number of further questions in my text, in order to understand the main subjects. As is well known, many Egyptian obelisks still existing in Rome relate in one way or another to Augustus. By discussing their meaning, scholars have concentrated on their original settings in Egypt and on their new lives `in exile´. Apart from Egyptian obelisks, which were reused in new contexts in Rome, there are also some ancient obelisks in Rome which were commissioned by Romans and that were possibly even carved in Rome.

Since the adjustment of Caesar's calendar reform was an immense contribution to the public good that was immediately acknowledged by Augustus' contemporaries, it is surprising that Augustus very modestly neither mentioned this in his (surviving) dedicatory inscriptions on the Montecitorio Obelisk, nor in his Res Gestae, nor anywhere else. This has led me to ask another question: what kind of relationship had Augustus to the Roman People, or, more precisely: how can we explain Nicholas Purcell's (1996) suggestion that `Augustus used ethics as a constitutional strategy´? Considering the fact that Octavian/ Augustus was, after all, for the last 44 years of his life Pharaoh of Egypt, I therefore ask in this study: is it conceivable that the theological construction of the Egyptian Pharaoh, which was based on an all-embracing doctrine of ethics, somehow also influenced his actions in Rome?

Nicholas Purcell (1996) also observes that `the very happy accident of Augustus' long life allowed readjustment of many of his innovations in a process of trial and error, a refining process which explains the success and long survival of many of them ...´. Augustus' overwhelming, long-lasting political success can thus be explained by the actions, decisions and achievements of himself and his collaborators. Another undoubtable contribution of Augustus himself to all this was that he had the rare ability to forge lifelong personal relationships with people. The best example being his friend Marcus Agrippa, of course, but also Gaius Maecenas was for 37 years "his intimate and trusted friend and agent" (so John Glucker 1996). Both dedicated their unique faculties to promote Augustus' aims.

This has led me to ask another question: how can we define the contribution of Augustus' family to his success? After summarizing the achievements of the members of his family, who, as is well known, are represented `as a group´ on the exterior friezes of the Ara Pacis, I checked my list of 70 members of the Domus Augusta against the list of those individuals who were actually given the honour of being buried in the Mausoleum of Augustus - which has resulted in some (at least for me) unexpected findings.

The motivation to incorporate the Mausoleum Augusti at all into this text was, as in all my studies on the topography of ancient Rome so far, something that I had come across by chance in Germany. This time it was the fact that I recently read the historic novel `Ekkehard - a tale of the 10th century´ by Joseph Victor von Scheffel, in which Duchess (dux Suevorum) Hadwig of Swabia performed `an old pious custom´, as the author called it, which I found very intriguing. Each year on the day her husband had died, Duchess Hadwig, in her capacity as the current sovereign of Swabia, distributed grain and fruit to the poor at the Duke' s tomb, who (according to von Scheffel) had been laid to rest in the chapel of their castle, where also his predecessors were buried. Duchess Hadwig thus obviously acted `together´ with her late husband, the Duke of Swabia, and his entire family line. Learning about this ritual, which will be described in chapter III. THE POSSIBLE MEANING OF THE OBELISK/ MERIDIAN, ARA PACIS AND THE MAUSOLEUM


AUGUSTI, I reconsidered the assertion, according to which it was of great importance that the Mausoleum of Augustus be visible from the Obelisk/ Meridian and the Ara Pacis.

I have therefore asked another question in this study: is it conceivable that the message of all three buildings - the Obelisk/ Meridian, the Ara Pacis and the Mausoleum Augusti with the two obelisks standing in front of it - taken together, could have been: even the dead emperor Augustus should take (or even takes?) care of his people?

This question has become the point of departure for another subject, discussed in this book in some detail - memoria and eternal life. Cf. Appendix 9; and chapter VIII. EPILOGUE.

Only after I thought on 1st November 2016 that I had finally finished this manuscript, something made me realize that the location of the Saepta has recently been questioned. Because I followed on my maps, that were drawn for my talk at the Iseum Campense Conference May 2016 (cf. Häuber 2016) and for this volume, the location of the Saepta, as suggested by Guglielmo Gatti (cf. LTUR I [1993] 429, Fig. 122a), I, consequently, added a discussion of that subject in this book as well.

Cf. chapter II. WELL KNOWN FACTS CONCERNING THE SUBJECTS DISCUSSED HERE AND SOME NEW OBSERVATIONS; Again Augustus' Meridian floor and G. Gatti's reconstruction of the "Campo Marzio centrale": his location of the Saepta, and some new observations concerning the Iseum Campense.

In the course of the relevant research, it was possible to corroborate G. Gatti's locations of the following buildings and structures: Saepta, Diribitorium, Porticus Minucia Frumentaria (although his location of this building had to be corrected on the basis of Lucos Cozza's site plan), Iseum (Campense), Serapeum, Delta, Arco di Camilliano, cosiddetto Arco di Giano alla Minerva, and of the fountain Minerva Chalcidica. In the case of G. Gatti's likewise debated location of the Divorum this proved to be impossible instead. As a result of studying this building and its presumed predecessor, the Villa Publica, where Vespasian and Titus are believed to have stayed the night before their triumph in June of AD 71, were added some ideas concerning the following subjects:

- a summary of the recent discussion concerning the triumphal procession of AD 71,

- the roads Vespasian, Titus (and Domitian) may have walked along on the morning of the great day, and

- the pomerium of Claudius, which may or may not have determined the route chosen for this procession.

Besides, that G. Gatti's reconstruction of the central Campus Martius is correct, has already been demonstrated long ago by Emilio Rodríguez Almeida, who realized that fragment 595 of the Severan Marble Plan shows the area immediately to the north of the Saepta, and precisely the south-eastern part of the Precinct of Matidia, comprising remains of a Temple (of Sabina?), which is labelled: "TEM PL[...]". He has therefore called this fragment 36b (cf. Emilio Rodríguez Almeida 1981, 127-129, tav. 27 = LTUR III [1996] 470, Fig. 164).

Studying Hadrian's Precinct of Matidia, the Hadrianeum and Hadrian's Arch on the Via Flaminia/ Via Lata (cf. here Figs. 3.5; 3.7; 3.7.1; 3.7.5-3.7.5c), which functioned as the entrance portal to this entire sacred area, it became clear that the Emperor may intentionally have blocked the sightline between the Pantheon and the Mausoleum Augusti, which Augustus seems to have so carefully designed.

The location of this Arch of Hadrian was already recognized by Ferdinando Castagnoli (1942), and one of its piers was excavated by Lucos Cozza and Mafalda Cipollone (cf. ead. 1982; and ead.: "Hadrianus, Divus, Templum, Hadrianeum", in: LTUR III [1996] 7-8, Figs. 1-5). Nevertheless this arch, despite its famous marble reliefs, is little known. The reliefs in question, three of them in the Palazzo dei Conservatori, a fourth one at Palazzo Torlonia, have in the past not always been attributed to this Arch of Hadrian, but to a variety of different monuments. F. Castagnoli (1942, 76, Fig. 1) has rightly observed that the relief, showing the


adventus of Hadrian in Rome (cf. here Fig. 5.7), now on display, together with two other reliefs from this Arch, on the walls of the staircases in the Palazzo dei Conservatori, was still in situ, when the Conservatori bought it in 1573. The other two reliefs from this Arch of Hadrian, now likewise in the Musei Capitolini, had previously decorated the former Arco di Portogallo (cf. here Figs. 3.7.1; 5.8; 5.9). Like already Castagnoli (op.cit., pp. 76-77), Michaela Fuchs (2014), who has recently published this Arch of Hadrian, convincingly attributes to it, apart from these three reliefs at the Palazzo dei Conservatori, also the relief, which is kept in the Collection Torlonia.

In the course of studying the Iseum Campense, some new arguments have been found, which, in my opinion, support the old assumption that Domitian had actually commissioned his Obelisk for this sanctuary, that is now on display on top of Gianlorenzo Bernini's famous Fountain of the Four Rivers in Piazza Navona (cf. here Figs. 3,7; 5.5.2). In one of the inscriptions on his Obelisk, written in hieroglyphs, Domitian formulates his hope that his contemporaries as well as posterity will always remember the achievements of his family, the Flavian dynasty, especially their benefactions for the Roman People. Domitian stresses that his family managed to consolidate the state, which had severely suffered from those `who reigned before´ (i.e., the Julio-Claudian dynasty). Trying to figure out which benefactions, apart from the actually very good government of the Flavian dynasty, Domitian may have referred to, the first thing that came to my mind was the erection of the Colosseum, begun by his father Vespasian and completed by Domitian.

I have therefore integrated into this study a discussion of the hypotheses concerning the Colosseum, recently formulated by Klaus Stefan Freyberger (2016) and Freyberger et al. (2016b, 370-380). The authors suggest that the Colosseum was not built anew by Vespasian, as was hitherto believed: the first Flavian Emperor merely restored a three-storey-high amphitheatre, which stood already at this site and may be identified with the amphitheatre, represented on one of the reliefs from the tomb of the Haterii (cf. here Fig. 5.4: the second building from the left). They further suggest that this building should be identified with the Amphitheatre of Statilius Taurus, and believe that this building had in reality been erected by Augustus.

K.S. Freyberger (2016) and Freyberger et al. (2016b, 385-386, and passim) suggest that all six buildings, which appear on the relief from the tomb of the Haterii (Fig. 5.4) celebrate the victory of Augustus over Cleopatra VII and Mark Antony at Actium 31 BC. Personally, I am of a different opinion, but by discussing their ideas, the here presented train of thoughts, beginning with G. Gatti's reconstruction of the central Campus Martius, concentrating especially on the Iseum Campense and the Saepta, moving from there to Hadrian's Precinct of Matidia, later from G. Gatti's location of the Divorum to the Villa Publica, to the triumph of Vespasian, Titus (and Domitian) of AD 71, from that to Domitian, and via Domitian again to the Iseum Campense and to the Colosseum, has led us finally back to the main protagonist of this book: Augustus!

The motivation to integrate these very diverse themes into this book on Augustus was in the case of all these subjects in the first place a question related to the topography of the relevant area in the Campus Martius under scrutiny, which I found worth discussing in this context. Interestingly, these subjects turn out to offer also further insights concerning the projects realized by Augustus himself there. - As for example in the case of Hadrian, who may intentionally have blocked Augustus' sightline between the Pantheon and the Mausoleum Augusti.

Although neither Domitian, nor Hadrian erected their dynastic tombs on the Campus Martius, their monuments, discussed here, aimed likewise at the commemoration of their individual families. In the contexts of these monuments all three Emperors: Augustus, Domitian and Hadrian, stressed their own virtus, as well as the important achievements of their own dynasties, but they presented these very similar contents in significantly different ways.

Augustus wrote his Res Gestae himself. In this text, he describes his own achievements and those of his family, as well as his benefactions for the Roman People. After his death and burial in his Mausoleum on the


Campus Martius, this text was incised in bronze, and put on display at two pillars in front of his Mausoleum (cf. here Figs. 1.5; 1.6; 1.9; 3.8). There everyone, who was able to read Latin, could study this text.

Domitian's text was written in hieroglyphs on an rose granite obelisk (cf. here Fig. 5.5.2). Also this text describes, how the Emperor saw himself, and like Augustus, he stresses in this text his own achievements and those of his family, especially the benefactions financed by his dynasty for the Roman People. But Domitian's text differs considerably from Augustus' Res Gestae: Domitian's text is not only written in a foreign language, in addition to that, it is formulated in pharaonic phraseology. Domitian's Obelisk was, in my opinion, erected on the square between the Iseum Campense and the Serapeum (cf. here Figs. 3.5; 3.7), which Domitian had just restored after the devastating fire of AD 80. If true, both texts were on public display in the Campus Martius.

The same is also true for Hadrian's relevant monument. Exactly as his two predecessors, Hadrian aimed at demonstrating his own virtues, those of his family, as well as his benefactions for the Roman People. But contrary to Augustus and Domitian, he decided to represent this content in visual form. He did this on the Arch, which he erected at the Via Flaminia/ Via Lata, right in front of the (later) Hadrianeum and the Precinct of Matidia. The arch itself has not survived, but some items of its decoration: four marble reliefs, now kept in the Palazzo dei Conservatori and in the Collection Torlonia. According to M. Fuchs (2014), these reliefs show the virtus of the Emperor Hadrian: the reliefs at the Palazzo dei Conservatori his invincibility (i.e. the adventus-relief, here Fig. 5.7), his pietas (the relief with the apotheosis of Sabina, here Fig. 5.8) and his providentia (the so-called adlocutio-relief, which represents in reality Hadrian's endowment of the Athenaeum, cf. here Fig. 5.9). The fourth relief in the collection Torlonia, representing a supplicatio scene, shows Hadrian's clementia.

On the following pages, `obelisks´ and the concepts of `time´ will be discussed at length, and especially the specific Roman attitudes to both. This study thus turns out to be also a contribution `on Roman time´ (for that, cf. Michele Renée Salzman 1990). How far away we mentally are from their experience of time, which was `WOZ´ (`wahre Ortszeit´, `true local time´), occurred to me on 1st October 2016. Franz and I had gone to the Piazza di Montecitorio to look at the modern meridian line to the north of the Montecitorio Obelisk (cf. here Fig. 1.1 and Lothar Haselberger 2014d, 195 n. 91; infra, n. 141). Since we were the only tourists at that stage on the square, I went over to the two policemen, standing on the north side of the socle of the Obelisk, who were watching us, to explain what we were up to. I mentioned to them that we were in the course of studying the ancient meridian line at the site, where this obelisk had originally been erected, and because that was not accessible, wanted to view this new meridian. One of these men, by looking at his wrist watch and pointing at the meridian line in front of us, said to me: `unfortunately it does not work´. I understood that he intended to say: `this obelisk-meridian device does not indicate 12 noon at the correct time´. And since both men knew a lot about the Montecitorio Obelisk and its history, I thought he was right.

Franz had been taken photographs in the meantime, and when I mentioned to him later what the policeman had told me, he smiled and said: `it is the obelisk's shadow, which indicates the correct time, not our watches´, and explained to me why. Our time conception is called `MESZ´ (`Middle European Summer Time´), which is the same within a huge area that extends inter alia between Görlitz in Germany, Rome in Italy, and the Atlantic coast in France; this is one of the time zones of the world, defined in the 19th century. It became necessary to invent this construction, as soon as railways were built, since that made it necessary to draw up time-tables, and those in their turn could only be conceived of, provided the starting point of the train and its final destination were all on the `same´ time (see the Contribution by Franz Xaver Schütz in this volume).


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